mikemanalo

Archive for the ‘Urban Design’ Category

Lil’ Hitch

In Media Design, Urban Design on February 6, 2012 at 7:19 pm

The Ecology of Hitches

From Feb 1th to 5th, I have been researching and trying to obtain the same hitch trailer as used by Road View Ads .  Instead of buying a model that would need assembly and new registration, I was able to find via Craigslist that was custom built and already with title & registration. Without the hassle of a DMV inspection now I have the first tool in my tactic for setting up in parking spaces.

Currently, I am working on quick cardboard mock ups to see how a fold structure can be assembled from the trailer.

Right now I outlined an average width of parking meter stall (86″ x 196″). The platform is about 40″ x 50″ and the extension (that is for attaching this to a hitch on a car) stretches to about 36″. One the interesting points, I discussed with my friend Hector, who is shopmaster at Woodbury University , is that once the trailer is set — it  parks at an angle that is  about  15 to 20 degrees.

I brought him to discuss possible ways for assembling a primary structure that would resemble these particular models:

Here is a video studying shadows as way of revealing lines in the spaces as well

 

Strategy vs Tactics in Urban Spaces : vehicles/ trailers creating, designating, initiating, instigating, drawing (more details soon…)

The use of the hitched trailer

Updated Thesis Paper

In Architecture, Critical Design, Media Design, Thesis Statement, Urban Design on January 20, 2012 at 5:32 pm

Current updated thesis paper can be found below: (01/16/2012)

http://mikeprogress.files.wordpress.com/2012/01/mmanalo_final.pdf

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sign obstruction courtesy of Road View Ads

via their website:

Road View Ads offers owners and agents worry-free facilitation and management of their outdoor advertising space. This includes the research and labor necessary in obtaining, constructing and maintaining these structures and spaces. RVA is active in contracting and negotiating with both public entities and private organizations, and will ensure the security of your property from start to finish. This includes, but is not limited to, obtaining the necessary licenses, permits, consultation, and litigation on your behalf. RVA also interacts with advertisers to sell and manage the space and content on the property. From scheduling, managing, and selling ad space Road View Ads does it all.

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According to the current LAMC (Los Angeles Municipal Code) and recent ordinances passed by the LA City Attorney office[1], advertised trailers pose a current hindrance to drivers, pedestrians and bicyclists. LADOT (Los Angeles Department of Transportation) can only cite when these ‘hitched trailers’ are parked over the designated parking time. In a recent conversation with the North Hollywood LADOT branch, Road View Ads are experts in these trailers as they once outlawed for having 10 foot frames with wheels and an attachment for hauling. Now they evolved the forms of these to be have a smaller width and be attached by chain to small mo-ped vechicles. By doing this, these trailers are in a grey area of the LAMC and LADOT officers are unable to cite or impound these vehicles because there is no present law to enforce.

Road View Ads is a clear example of how companies been able to strategically manipulate public space for financial gain. They advertise that they have the litigation power for permits and can protect their clients wants for advertising. How can publics respond to these kinds of situations? What are tactics that can be done to only reclaim streetscape for public need but also establish a dialogue/ response to private companies taking advantage of municipal codes ?

What is interesting is that Road View Ads predominately have their sign located in the southern part of the San Fernando Valley. The large width of the boulevards have never been viewed as a contested space. However, with this small litigation battle between LADOT and Road View Ads, what are values of  street scape? The definition of public space for Los Angeles is now being questioned because parks and beaches aren’t sufficient. Streets and sidewalk are being manipulated by private enterprises – can publics respond? Or do certain publics need to be created to respond?

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1. Recently passed in August 2011, AB 1298 specifically authorizes cities to define minimum distances illegally parked vehicles with hitched advertising trailers must move within a 72-hour period. If not moved the requisite distances, the vehicles may be impounded. link : http://atty.lacity.org/NEWS/ssLINK/LACITYP_015391

Blooming in Parametrics

In Architecture, Media Design, Urban Design on January 18, 2012 at 11:34 pm

      

excerpt from the Materials & Applications :

This latest installation will transform the Materials & Applications courtyard through a collaboration between Los Angeles architects Doris Sung, Ingalill Wahlroos-Ritter and structural engineer Matthew Melnyk. A 20 foot tall shiny metal ‘flower’ who’s skin will open and close with the heat of the sun and provide a unique and exciting experience for the thousands of visitors to this unique art laboratory.

‘Bloom’ will spring into being at M&A’s exhibition space in Silver Lake in October. The project has been in development for over a year. Construction begins soon. The installation will become a towering shade structure supported by a self-organizing cellular panel system of laser cut custom fabricated sheet metal.

I recently visited M&A’s recent exhibition featuring Doris Sung + Ingalill Wahlroos-Ritter that features a 20 foot parametic skin structure. It features smart thermobimetal that folds and curls to certain heat temperatures. Many of the architectural installations in M&A has featured in the past are very complex and articulated shade structures, features new materials, or proposed how hybrid uses of materials. The expressive form’s materiality is a exploration of time and temperature.

 

 

 

The patterning of thermobimetal is very exquisite within the self-organizing cellular panel system. Oscillation details of the patterns create a skin of ornamentation that is open for narrative interpretation. When the sun hits directly on the outer surfaces, you can see laser cut strips curl and roll as though the skin was breathing. Hence, the name of the structure, Bloom, highlights the specific moments of daylight when the sun provides energy for objects to reveal themselves. The homogeneity of the structural skin is key in articulating deformation and a form ‘blossoming’ -thus, emphasizing the unifying patterns to be in motion .

 

 

 

 


In this video, you can see the transformation of the strips from day to night.

BLOOM Surface from Dylan Wood on Vimeo.

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Project Info :

Materials & Applications
1619 Silver Lake Boulevard
Los Angeles, CA 90026
www.emanate.org
BLOOM
dO|Su studio architecture
November 17th 2011 until Spring 2012

Doris Sung in collaboration with:
Ingalill Wahlroos-ritter, Glass consultant
Matthew Melnyk, Structural engineer

Midreview Assessment

In Architecture, Media Design, Thesis Statement, Urban Design on December 13, 2011 at 4:41 am

  

This past midreview on December 12, 2011 marks the halfway point for this 10 month thesis project. The main line of thought connecting all the work and the research is the transition from Strange Quotidian (the research format for this thesis) to Soft Publics [a working title for the next series of projects]. This presentation, on the work thus far, identified that the space for a public domain is a currently an urgent issue in American metropolises. Occupy Los Angeles’ site (City Hall Lawn), it’s numerous site installations and Occupy Orange County’s win for tent as free speech , has provided a socio-political context where publics are not only trying to reclaim public space – but utilized them as forms of free speech.

The research has looked at Los Angeles streetscape as a contested space for media. The second point made in the presentation was design can be used to identify ‘loophole spaces’ that are from ‘grey area definitions’ from local codes : building, municipal, and zoning. A series of sections, plans and axonometrics were developed to formalize hidden ‘surface envelopes’ that could be appropriated by public groups. Using the Parking Day technique , these envelopes flow on all parts of streetscape: metered parking stalls, sidewalks, dedicated open space from building setbacks, and connecting public parks. The sites used for this research was Alvarado Avenue in Westlake District and MacArthur Park.

   

 

 

 

Local Code

In Architecture, Critical Design, History of the Future, Media Design, Urban Design on December 9, 2011 at 5:13 pm

Local Code: The Constitution of a City at 42 degrees North Latitude by Michael Sorkin was published in 1996 by Princeton Architectural Press. In this creative writing exercise, Sorkin uses the mundane techniques of policy and municipal code writing to illustrate an urban condition ideal for its citizens. It has been described by Lebbus Woods as a “landmark manifesto on an urban dwellers’ bill of rights“. That part of the book is what is striking about this writing (please see image below).

 

The use of this writing methodology requires a keen understanding of how municipal codes are self referential. In my previous work with architectural firms in Los Angeles, one of the biggest lessons with understanding these kinds of city code was that you had make sure your drawings interpret without doubt what specific part of the code (building,zoning, neighborhood ordinance) they were referencing. When it comes to creating spaces in cities, one has to understand how certain code systems overlay each other. For instance, one part of the zoning code may say that you are required to have ‘two’ new streetlight posts on the sidewalk for your new building. The building code helps define what constitutes as a streetlight post requirement (location in sidewalk, powers of lumens and specific heights of the structure). However, another layer that finesses these streetlights even further might be a neighborhood ordinance. These site specific plans can determine an specific manufacture and a certain aesthetic of the  streetlight- it may even increase the number required!

Yet, Sorkin’s Local Code is another take of how this kind of policy writing can be more fruitful in terms of the possibilities of what one can build in the city of 42 Longitude. He creates generic terms such as ‘Party Walls’, ‘Edges’, ‘Nubes’ and ‘Cuts’ and creates specific definitions for what they are in terms of basic structure. Yet, for all of these he give certain allowances and variances that advocates a sense of play with constraint. Again, the further you read, you find also that Sorkin has these structures connect to each other depending on where they are geographically in 42 Longitiude.

Last 48hrs and Counting

In Architecture, History of the Future, Media Design, Thesis Statement, Urban Design on November 27, 2011 at 11:59 am

  

If you have not heard yet, the Mayor’s Office of Los Angeles have issued an eviction order for Occupy Los Angeles to take affect Monday, November 28, 2011 12:01 am Pacific Standard Time. Occupy LA have been one of the last remaining metropolises for the Occupy Wall Street movement. Many have questioned the political motives and objectives for this de-centralized group for not being clear, especially when answering to the national news media outlets. However, what should be noted for the particular division of the Occupy Movement is the reclaiming of public land through the use of art+instillation, camps with public workshops and the creqtion of support services for the growning number of residents. Featured below are the lasting memories of how Occupy LA, local/national news media and city officials have turned the LA City Hall lawns into spaces of media contention. What have witness in Los Angeles for the past two months is how media technology and art instillation have physically teased out a dialogue between these groups.

The familiar notions of what is streetscape and the public rift of way have been almost tested to the limitation at City Hall. When can we ever say since its opening celebration in the 1930s where there was civic engagement that resulted in a mass congregation between public spaces and and spaces of municipal authority?

   

   

            

                          

           

             

            

          

A few representatives have been quoted that they recognize that eviction was inevitable and stated there will be numbers in their group that will stand firm and not move. Also, they have mentioned that Occupy LA does have other sites for occupation but will not mentioned them at this time. Although, it would be interesting to see how this movement evolves on other possible sites within the city, how this event transformed City Hall into a contested ground for civic issues through meta-media (presence and occupation) and specific media (signage, art instillations and workshops), will be sorely missed.

1st pit stop: Committee Meeting 1

In Architecture, Critical Design, Media Design, Thesis Statement, Urban Design on November 9, 2011 at 6:48 pm

Nov 7 2011 // Committee Members :

Tim Durfee : Lead // Jennifer Krasinski & Sean Donahue: Adjunct

Molly Wright Steenson : Writing

don’t worry its going to take awhile to cypher through

Publics and Inorganic Chaos:

How does a group come together with a shared motivation. Occupy Movement shows a public activating a space because there is a level of resources is being shown. There is also display of power within the temporal and deployable. For

Tent is Media // Tarp vs Tent

The committee commented that there has been many soundscape and imagescape projects that operate on urban scales from 2002 that . However do these precidents activate the spectrum of organic vs structure. Is the third condition that the research was looking for a design quality?  Are there multiple variations and plot points of structured verses organic?

Space and the Structures of Power :

Laws and ordinance have determine the temporal, Occupy LA are not only for political and social dialogue  but also what are the small vs big issues for use of public space.

Pulling the Spectrum of Organic vs Structured

Soft isn’t just inflatable, less material, or. How will the media I will create facilitate negotiations? If the media is architectural, how will create the negotiations the public need to communicate with each other?

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Duration, Definition,Decisions
There has always been codes – they are judicial, parametric, and soft. We are trying to figure out the margins of all these occupation movements that are currently happening as of Nov 2011 across public urban spaces in major cities. However, the research of Strange Quotidian is negotiating objectivity with those have personal stake within the Occupy LA movement. A network of soft structures should be able to not only find loopholes in building codes and zoning codes – but use those tools to create media events of the everyday. There is without a doubt a conversation about reclaiming public space for free speech. As a media designer, the research approach should not only be objective in providing tools that enable those negotiations for those participants. Media is taking on architectural language to playout what can publics do in urban spaces by using temporal structures that focus on drawing out the lines and boundaries of city code for public space. The goal is to not only operate in the margins in this type of ‘code-breaking’ but also tease out tensions of organic happenings and structured movements in these reclaimed spaces.

new references: http://www.raumlabor.net/

TC_review_11052011

the quarter mile…

In Architecture, Critical Design, Media Design, Thesis Statement, Urban Design on November 3, 2011 at 3:16 am

The past Halloween 2011, the 2011-2012 thesis class presented their current research of their individual thesis projects to the Media Design Program. On hand were current faculty and adjunct faculty. For Strange Quotidian, its research was presented in three parts : three interviews, experiments and three mapped sites. Within the background was my current thesis statement with photos from StrangeCam conducted in Occupy LA and Mid Wilshire.

 

 

    

For the three experiments,  the feedback from different faculty members centered around opportunities  of permeability verses the theme of just using objects in space. The LightCatcher and StrangeCam objects create space with a specific constraint and negotiation. Due to the LightCatcher being work in progress, its folding apparatus along the one shared with StrangeCam highlight negotiations of participant movement pretty well. Yet, the feedback of where participants receive photos a few days later is a real stretch of the imagination on their part.

 

The LightCather still needs to be tested in a public space. However, the feedback loop is different here since silhouettes and shadows will be cast on surfaces in plazas for others to see.

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The Line Game was presented as a conversation between myself and Matt Manos about shared spaces within a board game. Every iteration a rule was added to this maze game. However, the specificity of the rules was not my main interest but how the format of rule making allowed for the forms of the gameboard to evolve into intricate spaces.

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Three Sites represented three types occupation within the given contexts: Red Line Station of Vermont/Wilshire, LA City Hall Front Lawn and Alvarado St adjacent to MacArthur Park.

These were mapping exercises of how certain frameworks of occupying activated public spaces in Los Angeles. Storefront communities of Alvarado Street will use vertical racks and blankets to layout merchandise and extend their retail space on a 5-10 foot sidewalk. The Occupy LA movement has reclaimed the City Hall front lawn as decentralized community clusters. However, the Farmers Market to the Vermont/Wilshire station adhere to strict location grid for booths. Certain comments and questions that struck with me are : How do physical structures represent our digital cultures? If tent is a media – is that a meta-term for media? How can this analysis also address graphic design, print and sound in public spaces? Another reference give was Lucy Orta  ‘s work for refugee groups in the 1990s.

Strange Quotidian has benefited from interviewing an activist implementing more public parks in Los Angeles, an urban designer that works in LA and Morocco and urban designer that works a specific Downtown neighborhood. These three have spoken to me a common thread of frameworks and agency in urban design. How do everyday pedestrians feel a sense of ownership with in public space? How does even something as banal as a doorway activate streetscape? How do you use design to de-layer a neighborhood and reveal communities with goals of growth?

   

For now, the focus is now seeing the current body work as objects of specific analysis that can be used as a framework for making. Strange Quotidian seeks to operate a scale that is way bigger than its experiments (StrangeCams, Line Game, Light Catcher) and yet small than the analyzed sites of City Hall and Alvarado. Soft, temporal structures speak about digital cultures and can be used by pedestrians to not only create new everyday occurrences but to also reveal new potential of public spaces in Los Angeles.

 

photo courtesy of Jeremy E. !

Regular vs Irregular _ traces, lines, extensions > boundaries

In Critical Design, History of the Future, Media Design, Urban Design on October 22, 2011 at 4:55 pm

an eruv in Williamsburg, Brooklyn, New York photo courtesy of Wally Gobetz

Recently, my writing advisors Elizabeth Chin and Molly Steenson introduced me to eruv -  a structure erected around orthodox Jewish communites throughout the world. They are erected with the permission of local authorities and in accordance with the lengthy and complex set of architectural laws set forth in the Talmud. The construction of eruvin (or eruvim, plural for eruv) stems from the observation of Shabbat, the weekly day of rest (Friday sundown to Saturday sundown) that includes a prohibition against carrying objects outside of one’s home, or private domain. Religious law forbids one from carrying objects outside the home on the Sabbath, but the eruv extends the home, with a symbolic doorframe, allowing women to carry their children outside the home. The wire or string must form a continuous boundary and may be strung along telephone poles or buildings. A natural boundary such as a river bank or steep hill can also be used as part of the eruv, as can an actual wall of a building.

Daniel Beauregard of the The Champion Newspaper of DeKalb County, GA discussed of Orthodox Jews in Delkalb have developed the eruv’s to be in sync with power line and black string. Thus, the process of creating an eruv doesn’t just create a boundary – but an extension of personal space for a cultural group. Click photo for article.

Photo courtesy of  Daniel Beauregard

One translation into the digital realm for eruv was done by Elliot Malkin of New York Times. Click the photo below for the article.

Here is the project description:

eRuv is a digital graffiti project installed along the route of the former Third Avenue elevated train line in lower Manhattan. The train line, dismantled in 1955, was more than just a means of transport; it was part of an important religious boundary – an eruv – for a Hasidic community on the old Lower East Side. Using semacodes, the former boundary is reconstructed and mapped back onto the space of the city, and pedestrians with camera phones can access location-specific historical content

Photo courtesy of Elliott Malkin

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These two particular articles reveal that the aesthetics and practice of eruv structures enable a cultural group with to create extensions, not boundaries, within the public domain. In DeKalb County, GA, the eruv has merged with telecommunication structure (telephone wires, etc) that it has create roles of preserving and maintaining a cultural practice – since the eruv needs to be certified. Within Malkin’s project,  the eruv identified in that Manhattan community was discovered also built from city infrastructure. The 3rd Ave train line was parallel along the eruv. Once it was dismantled in 1955 – so was the trace. The semacode done Malkin doesn’t just try to rebuild that part of eruv but also use technology to reveal the infrastructural history of that train line.

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Within in my own neighborhood of Van Nuys, CA, many pedestrians casually pass by infrastructure that tie peculiar part os the street together. Also, few unusual object pop up as well- temporary CCTV systems. Below are a few snapshots of these conditions. They are not eruv – and may even seem irregular in terms of form relating to streetscape. However, they are regular because they blend a soft condition (the need for telecommunication) with hardscape. The space in between is enough to pass by- knowing that I have basic cable for the night.

Interview : Takako Tajima pt 1.

In Architecture, Media Design, Urban Design on October 21, 2011 at 5:53 pm

                  

                   

Video is after the jump…

Prior to founding Bureau E.A.S.T. with Aziza Chaouni, Takako was senior designer at Urban Studio in Los Angeles. At Urban Studio she worked on urban design projects including design reviews of major projects for the City of Santa Monica, City of Santa Ana, and City of Pasadena. She was the lead on project coordination and concept development for the urban design component of the West Hollywood General Plan Update and the Ocean Park Boulevard Green Street Project in Santa Monica. In our conversation, we talked about issues of agency and framework for streetscape, how modernist urban planning in 1960s was transformed anterolaterally by Moroccan everyday density, and just on the experience of walking.

 

Takako and Aziza gained notoriety with their current project for City of Fez Department of Water and Power (RADEEF) : Fez River Project: River remediation and urban development scheme. Her personal research focuses on the intersection of architecture, landscape, and urbanism and its potential to transform the urban milieu.

special thanks to Takako for her wonderful insight!

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